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UPCOMING Archival videos are only available for the shows listed and during specific dates. Navigate to the tab for the play you want to watch and Click on the Production Photo. Enter your name and a valid email address. No Password Required! Click the four arrows in the bottom right corner to watch the video full screen. For Closed Captioning, click the CC button in the toolbar at the bottom of the video viewer and select “English CC”. You may be able to watch on your TV, depending on your specific equipment. Here’s a web page from “wikiHow” with a variety of articles that may help. SUPPORT THE MINT! Your gift helps to keep is alive and well, ready to bring back plays that you will only get from the Mint. If you enjoyed our Free Streaming, your contribution helps to pay the salaries of all of the actors and directors involved in making these productions. ENRICHMint FUND The EnrichMint Fund is a separate resource dedicated to the continuation and growth of our educational programming. Your gift will help us to continue to expand our program of free pre- and post-show lectures and discussions conducted by some of the nation’s top scholars and leading experts. PRESERVATION FUND The Mint’s Preservation Fund supports Publication, Archival Recordings, and Streaming, as well as our online Production Archives—intended to assure that plays the Mint has discovered are preserved and remembered. YOURS UNFAITHFULLY March 22 – June 13 “THE SPLENDID CAST OF FIVE INHABITS THE CHARACTERS WITH PASSION AND GRACE. IN BRINGING NEGLECTED WORKS TO LIGHT, THE MINT PERFORMS A GREAT TRICK MODERN AUDIENCES EXPERIENCE WHAT IT MUST HAVE BEEN LIKE TO SEE A PLAY IN ANOTHER ERA, WHEN CAREFUL LISTENING WAS EXPECTED — AND REWARDED.” The New Yorker An “un-romantic comedy” about the price of free love, YOURS UNFAITHFULLY is an insightful, intelligent and exceptionally intimate peek behind the closed doors of an open marriage. Stephen and Anne, blissfully happy for eight years, are committed to living up to their ideals. When Stephen, a writer who isn’t writing, begins to sink into a funk of unproductive moodiness, Anne encourages him to seek out a fresh spark. Can their marriage survive uncompromising generosity, sacrifice and love? More than the story of an unconventional couple, the play is about what happens when our ideals clash with our emotions. Max von Essen, Mikaela Izquierdo, and Elisabeth Gray in YOURS UNFAITHFULLY by Miles Malleson, directed by Jonathan Bank. Photo by Richard Termine. To read the program, click here. To learn more about the play and production, visit our Production Archives. To see Video of our EnrichMint Speakers, visit our EnrichMint Video Archives. Support The Mint! Thank You A PICTURE OF AUTUMN April 19- June 27 “ HUNTER’S BEAUTIFUL, SHAMEFULLY NEGLECTED COMEDY WAS PERFORMED ONLY ONCE IN LONDON IN 1951, AND RECEIVES ITS AMERICAN PREMIERE HERE… IT’S ABOUT AN AGING, ONCE PROSPEROUS FAMILY LIVING IN AN AGING, ONCE GRAND MANOR, AND THE ECHOES OF CHEKHOV ARE UNMISTAKABLE, IF SUBDUED AND ANGLICIZED. IT’S A BIG, GENEROUS PLAY, EXQUISITELY WRITTEN, BOTH FUNNY AND TOUCHING.” The New Yorker A Picture of Autumn made its debut on February 11, 1951 in a one-night try-out’ performance presented by the Repertory Players, at the Duke of York’s Theatre on London’s West End. Despite promising reviews, the play was never picked up. Instead, Hunter enjoyed great success with his plays Waters of the Moon, A Day by the Sea and A Touch of the Sun, which dominated the West End throughout the fifties. Meanwhile, A PICTURE OF AUTUMN gathered dust until our acclaimed production—the play’s first in over 60 years. Helen Cespedes and George Morfogen in A PICTURE OF AUTUMN by Hunter, directed by Gus Kaikkonen. Photo by Richard Termine. To read the program, or learn more about the play and production, visit our Production Archives. To see Video of our EnrichMint Speakers, visit our EnrichMint Video Archives. Support The Mint! Thank You THE FATAL WEAKNESS May 17 – June 27 “THIS PRODUCTION, LUCIDLY DIRECTED BY JESSE MARCHESE, IS EXEMPLARY OF THE MINT’S HOUSE STYLE. THE CAST COULDN’T BE BETTER, WITH CYNTHIA DARLOW CLINCHING TOP HONORS AS A COMPULSIVE GOSSIP. THE STAGE, AS ALWAYS, IS TINY, BUT THAT MERELY ADDS TO THE INTIMACY OF THE PROCEEDINGS, AND VICKI R. DAVIS’S SITTING-ROOM SET IS FINELY AND CONVINCINGLY DETAILED.” The Wall Street Journal The Fatal Weakness, George Kelly’s last produced play, tells the story of Ollie Espenshade—an incurable romantic who discovers, after 28 years of marriage, that her husband is a lying cheat. It opened in New York on November 19, 1946 in a production starring Ina Claire. Although Claire’s triumphant return to Broadway after a five year absence garnered much of the press attention, Kelly’s play turned more than a few critics’ heads. Our production was the play’s first New York revival in 68 years. Kristin Griffith, Victoria Mack, and Cliff Bemis in THE FATAL WEAKNESS by George Kelly, directed by Jesse Marchese. Photo by Richard Termine. To read the program, or learn more about the play and production, visit our Production Archives. To see Video of our EnrichMint Speakers, visit our EnrichMint Video Archives. Support The Mint! Thank You DAYS TO COME January 4, 2021 – February 21, 2021 “IT’S A GRIPPING, LUCID EXAMINATION OF THE DANGEROUS INTERSECTION OF ECONOMIC, SOCIAL, AND PERSONAL FORCES.” The New Yorker Lillian Hellman’s second play, Days to Come, is a family drama set against the backdrop of labor strife in a small Ohio town which threatens to tear apart both town and family. “It’s the story of innocent people on both sides who are drawn into conflict and events far beyond their comprehension,” Hellman said in an interview before Days to Come opened in 1936. “It’s the saga of a man who started something he cannot stop…” To read the program, or learn more about the play and production, visit our Production Archives. KATIE ROCHE Streaming February 1, 2021 – March 28, 2021 “A GLOWING, EVOCATIVE PRODUCTION… DEEVY’S DIALOGUE IS PRACTICALLY MINIMALIST, BUT IN VERY FEW WORDS AN ENTIRE CULTURE IS REVEALED, AND THE MYSTERIES OF THE HUMAN HEART EXPLORED.” The New Yorker Mint Theater continued its exhaustive exploration into the work of Teresa Deevy — which began with Wife to James Whelan in 2010, and Temporal Powers in 2011 — with a production of Deevy’s most celebrated drama, Katie Roche. The play’s mercurial heroine is a servant girl whose romantic ambitions reach for the heavens. “Katie Roche is the third Deevy work to be produced by the Mint in as many years. It may be the best one yet,” wrote David Barbour in Lighting and Sound America. To read the program, or learn more about the play and production, visit our Production Archives. To see Video of our EnrichMint Speakers, visit our EnrichMint Video Archives. WOMEN WITHOUT MEN February 22 – April 18 “IMPRESSIVE… VERY SUCCESSFUL… THE MINT’S UNIFORMLY FINE PLAYERS, DIRECTED BY JENN THOMPSON, GET TO SINK THEIR TEETH INTO A RANGE OF JUICY CHARACTER ROLES..” The New Yorker Women Without Men is a workplace drama laced with biting humor, set in the teacher’s lounge of a private girls’ boarding school in Ireland in the 1930s. The play explores the clash of conflicting natures and petty competitions that erupt amongst the school’s cloistered teaching staff. Playwright Hazel Ellis began her theatrical career in the 1930s as a member of the acting ensemble of the Gate Theatre in Dublin. She went on to write two plays for the company, including Women Without Men which was produced at the Gate in 1938. Despite acclaim, the play was never published or revived — until we produced the play’s belated American premiere to much acclaim in 2016 at New York City Center Stage II. Shannon Harrington, Joyce Cohen, Beatrice Tulchin, and Alexa Shae Niziak in WOMEN WITHOUT MEN by Hazel Ellis, directed by Jenn Thompson. Photo by Richard Termine. To read the program, or learn more about the play and production, visit our Production Archives. To see Video of our EnrichMint Speakers, visit our EnrichMint Video Archives. Are your videos closed-captioned? Yes! For Closed Captioning, click the CC button in the toolbar at the bottom of the video viewer and select “English CC”. Can I watch your videos on my television? Maybe. If you have a Smart TV with a web browser, you can go to our website, the same as you would on your computer or tablet. Or you may be able to “cast” from your device to your television. Here’s a web page from “wikiHow” with a variety of articles that may help. Can I watch any play whenever I want? No, you can only watch during the dates listed, when they are available on demand 24 hours a day. That’s when the actors are under contract and being paid. Directors and designers too. If you are paying salaries, why aren’t you charging admission? We want to share our work with as many people as we can. Besides, this is a new way to watch a play and we want you to be able to try it for free and see if you like it. Of course you are welcome to contribute, and happily, many people do.
ByRodin Eckenroth/FilmMagic. In Ali Wong’s new Netflix rom-com, Always Be My Maybe, Keanu Reeves gives a bold, surprising performance—playing a sexy, philosophical, pretentiously heightened Premium Supreme fans are lamenting its 'death' after its sale to VF this week, but analysts say there is hope for the future of the iconic streetwear brand and its identity as a symbol of counterculture Chesnot/Contributor/Getty Images This story is available exclusively to Insider subscribers. Become an Insider and start reading now. Supreme, the New York City-based streetwear brand, was just sold to VF Corporation, which owns Vans, The North Face, and Timberland for $ billion. In the wake of the announcement on Monday, Supreme fans have taken to social media to lament what they see as the ultimate sell-out move for a brand that once prided itself on its roots in subculture. According to some experts, this mourning among hype beasts and fans over Supreme's sale might be premature. If Supreme is able to maintain its brand identity and keep away from mass producing its products, the brand will likely continue to thrive under its new owner. Visit Business Insider's homepage for more stories. To many of its diehard fans, Supreme just did the unthinkable. It went mainstream. The New York City-based streetwear brand was just sold to VF Corporation, which owns Vans, The North Face, and Timberland on Monday. The reported $ billion deal is expected to close by the end of the the wake of the announcement, Supreme fans on social media have lamented what they view as the ultimate sell-out move for a brand that once prided itself on its roots in hip hop and skateboarding more eBay has been 'asleep at the wheel' in the sneaker category. Now, an exec explains how the platform will overtake competitors like StockX and GOAT RIP Supreme 1994-2020. The sale of Supreme to VF marks a long run of poor choices by the brand. Overproduction, online discounts, weak designs, increased retail price points, wider colorway offerings, lackluster collaborations, massive restocks, and other questionable decisions have all been leading up to this moment the sale of the entire company. This sale signifies the yawn-inducing, corporate boredom of a brand that was originally destined to be something different. I wonder if the play for Jebbia & Co. was always about getting massively wealthy, but a larger part of me says that this brand slowly slipped away from them and their original desire to create a truly innovative apparel company. What does this mean for me? Well... It was only a matter of time. I wasn’t going to be “The Supreme Guy” forever. Now this doesn’t mean that I’m not posting Supreme anymore. Honestly, I might actually be posting more. Maybe I’ll post about Supreme’s shortcomings and mistakes. Maybe I’ll design my own lookbook of what I wish Supreme was making. Maybe I’ll make a full-length documentary about the brand something I’ve been wanting to do for a while. I’ll probably keep posting the DIY projects, but who knows after that...maybe I’ll even start posting about my other interests, hobbies and aspirations, letting you in on the REAL me...heck, my real name isn’t even Eric. But one thing is for sure... while I’ll be retiring the “The Supreme Guy” title, I’m not going anywhere. On the contrary, my voice will only get louder from here. While I’m disappointed with many of the brand’s decisions, I’ll always be rooting for the success of Supreme. And while the “RIP Supreme” take may be an overreaction, I’m certainly worried about the brand’s direction to say the least. Here’s to hoping the next 25 years are as good as the first 25. Here’s to hoping that Supreme surprises me and makes the right moves from here. Finger crossed. Maybe I’m just overreacting. Curious what you guys think. A post shared by EW ✝️ ericwhiteback on Nov 9, 2020 at 1247pm PSTNov 9, 2020 at 1247pm PST —ً NASACO40 November 9, 2020—Ricky Romero Ricky_Romero93 November 9, 2020Since its founding in 1994, Supreme has been a symbol for counter-culture and the rejection of the mainstream. The brand has also generated a cult-like following with its staggered clothing and product to experts, the mourning among hypebeasts and fans over the sale might be premature. If Supreme is able to maintain its brand identity and keep away from mass producing its products, the brand will likely continue to thrive.'The success of streetwear is based on scarcity' A Supreme pinball machine in an Urban Necessities pop-up shop in New York. Shoshy Ciment/Business Insider Thanks to its historically limited stock, Supreme-branded items often explode on the resale market. And while the VF acquisition could make Supreme susceptible to seeping into the mainstream crowd, Supreme founder James Jebbia said in a statement that the brand plans to keep its "unique culture and independence.""I think the key thing to remember here is that VF Corporation has worked with Supreme for decades through collaborations with The North Face, Timberland, and Vans," Amir Azarcon, sneaker and streetwear expert at luxury consignment retailer The RealReal, told Business Insider. "It's safe to say they know each other relatively well. What makes Supreme so appealing is the limited availability of their releases, and I think VF Corporation has a good understanding of that."It is generally understood that streetwear brands like Supreme can only thrive when demand outweighs the new agreement will give Supreme access to VF's global supply chain, international platforms, digital functions, and consumer knowledge, analysts warn that getting too big too fast could spell trouble for the brand that feeds on scarcity of its product releases."The success of streetwear is based on scarcity," said Matt Powell, NPD Group's senior industry adviser for sports, whose areas of expertise also include footwear and athleisure. "Scarcity and growth are oppositional."Will Supreme go mainstream?VF has a history of preserving the identities of its brands. Yet it also lives in the world of mass production, a cause for concern among Supreme loyalists. Still, some experts say that brand preservation remains a strong possibility under the new parent company."It will be interesting to see if VF can maintain this careful balancing act, or whether it will drive Supreme into the ground," said Kenneth Anand, a lawyer, former general counsel at Yeezy, and coauthor of the book "Sneaker Law."According to BMO analyst Simeon Siegel, a dilution of the Supreme brand, at least at first, is unlikely. "I think VF's goal is to grow and expand the brand as much as possible without dilution," said Siegel, whose coverage focuses on resale. He explained that VF will need to determine how to balance Supreme's "scarcity value" with selling enough product to hit at least $500 million of revenue in the 2022 fiscal year. To Siegel, $500 million is still a small enough target revenue to keep Supreme in the realm of scarcity and profitability."The question will be, as the business is now under the public umbrella and is now owned by a public company, what happens when it's needed for growth?," Siegel said, adding that brand saturation would be "an inevitability" if the company were to seek more now, the future of Supreme is in flux. And while experts agree that the death knell for the streetwear brand has yet to ring, this latest move does follow Supreme's early shift toward the mainstream in 2017 when the brand similarly alienated fans by selling a 50% stake to The Carlyle Group."New York City kids wearing Supreme used to get chased away by the police for skating in front of midtown office buildings," Anand said, describing the brand's evolution from subculture to mainstream. "Now the bankers inside those buildings are investing in, and profiting off of, Supreme." Sign up for notifications from Insider! Stay up to date with what you want to know. Subscribe to push notifications Deal icon An icon in the shape of a lightning bolt. Keep reading Receive a selection of our best stories daily based on your reading preferences. More supreme Retail Apparel VF Corp Chevron icon It indicates an expandable section or menu, or sometimes previous / next navigation options. Deal icon An icon in the shape of a lightning bolt. For you 2 The Euphoria of Elliot Page. 3. The 20 Best Books of Summer 2022. 4. How to Get Into the Marvel Cinematic Universe. 5. The Case for STREAM-1 STREAM-2 Telemundo Spanish pronunciation [teleˈmundo] is an American television network that broadcasts in Spanish. The network is the second-largest Spanish-language content producer in the world, and the second-largest Spanish-language network in the United States, behind Univision. Telemundo reaches 58 percent of Hispanic and Latino American households in 142 markets via over-the-air, cable, and satellite television. An average of 1,035,000 total viewers aged 2 and older tuned in for its weekday prime time lineup during 2007. Telemundo is the only Spanish-language network that produces most of its telenovelas. Unlike Univision, which only has Spanish captions, many programs on Telemundo air with closed captions in both Spanish and English. Telemundo airs its 7–11 ET/PT weekday programs usually telenovelas using a form of the Turner Time scheduling strategy used by TBS from 1981 until 1997. That is to say, each program starts a few minutes after its officially scheduled time, typically three or four minutes after the hour. Shows also bleed over into the next time slot. This encourages viewers to stay tuned to Telemundo instead of joining another channel’s program in progress. The 11 news broadcasts both those aired by local stations and those aired by the network itself start at the conventional time, however. The reverse is the case on weekends when football matches are aired, when all programs airing prior to the game are aired five minutes before the hour or half-hour; on weekend days when football matches are not aired, regularly scheduled programming is aired in their conventional timeslots. - [HD] Always Be My Maybe 2019 Streaming VF Film Complet | Pixels : .RV ★720p ★DVD. Période : 1h 36 min. Genres : Humilité, Romance, ComédieRéalisateur Agnès Obadia Durée 1 heure 28 minutes Genres Romance, Comédie Langue Français 19 June 2013 3K membres Joséphine, 29 ans trois-quart, obnubilée par la taille de ses fesses, source de tous ses problèmes, n’a toujours pas trouvé l’homme de ses rêves non-fumeur-bon-cuisinier-qui-aime-les-chats-et-qui-veut-plein-d’enfants. Sa seule consolation, c’est qu’elle vit avec Brad Pitt… consolation de courte durée puisque c’est son chat. Quand sa soeur lui annonce son mariage, c’est la goutte d’eau qui fait déborder la tasse à café. Elle s’invente alors une histoire d’amour avec un riche chirurgien brésilien qui lui a demandé sa main et l’emmène vivre au bout du monde. Facile à dire… Ce petit mensonge va l’entraîner dans un tourbillon d’aventures. Acteurs 24 Films similaires 34SerieStreamingvoir votre series streaming Gratuit SerieStreaming top site de voir serie streaming grauit illimité sans inscription My Blueberry Nights Photos Movie Info After her boyfriend of five years breaks up with her, Elizabeth Norah Jones consoles herself by consuming creamy confections at a sympathetic cafe owner's Jude Law eatery. She sets out on a road trip, supporting herself as a waitress along the way. Elizabeth meets a host of interesting characters on her journey, including an alcoholic policeman David Strathairn, his unfaithful wife Rachel Weisz, and a gambler Natalie Portman. Rating PG-13 Mature Thematic MaterialDrinkingSmokingViolence Genre Drama, Romance Original Language English Director Producer Writer Release Date Theaters Apr 4, 2008 limited Release Date Streaming Jul 1, 2008 Box Office Gross USA $ Runtime 1h 30m Distributor Weinstein Co. Sound Mix Dolby Digital Cast & Crew News & Interviews for My Blueberry Nights Critic Reviews for My Blueberry Nights Audience Reviews for My Blueberry Nights
Romanticmovies run the gamut: There are your classic dramas, like The Notebook, funny rom-coms, like Ali Wong and Randall Park’s Always Be My Maybe, and darker, more mysterious fare like the new Oscar-nominated animated film I Lost My Body, or the drama Like Water for Chocolate.Some have happy endings, some have sad endings, and some have
Durée du film 84 min, Année du film 2019, Titre Fin de siglo, Genres de films Drame Film en ligne Fin de siglo ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~Liste des acteurs Juan Barberini, Ramon Pujol, Mía MaestroPays ArgentinaFilm d'écrivains Lucio CastroRéalisateur Lucio Castro stream Fin de siglo google docs Fin de siglo gratflix en ligne gratuit papystreaming Fin de siglo film pirvox Fin de du film 16075Note des critiques utilisateurs 4594Num téléchargements 11970 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ Come to Daddy 2019 bgpAlways Be My Maybe 2019 mxypTrois jours et une vie 2019 jbeKioku ni gozaimasen! 2019 iakwNieznajomi 2019 qtxjAlwaysBe My Maybe is a 2016 comedy with a runtime of 1 hour and 52 minutes. It has received mostly positive reviews from critics and viewers, who have given it an IMDb score of 6.7. Where to Watch Always Be My Maybe Always Be My
Description Cette page vous donne accès à la version française de cette série TV. Vous pouvez accéder à la Version Originale Sous-Titrée en effectuant la recherche Glee VOST dans l'iTunes Store. Glee est une série musicale unique et réjouissante qui transcende les genres, délivre un humour mordant et revisite avec enthousiasme les hits musicaux d’hier et d’aujourd’hui! La série suit Will Schuester, un prof optimiste du lycée McKinley qui tente de raviver sa passion pour la musique en réinventant le Glee Club», le club de chant et de danse du lycée, ou il aide un groupe de loosers à concrétiser leur potentiel de stars… Épisode 1 Pilote – Director's Cut Téléchargez la version Director’s Cut et découvrez une performance rare de "Leavin' on a Jet Plane", non comprise dans la version originale! Will Schuester, un prof optimiste du lycée McKinley, ravive sa passion pour la musique en réinventant le Glee Club», le club de chant et de danse du lycée, ou il tente d’aider un groupe de loosers à concrétiser leur potentiel de stars. Seul face aux innombrables critiques, Will est déterminé à leur prouver qu'ils ont tout faux et à bousculer le cruel système de castes qui règne sur le Lycée… Les multiples performances musicales incluent "Don't Stop Believin", "Rehab", "On My Own", "Respect", "Mr. Cellophane", "I Kissed a Girl", "Sit Down, You're Rocking the Boat" et "Can't Fight This Feeling". Téléchargez la version Director’s Cut et découvrez une performance rare de "Leavin' on a Jet Plane", non comprise dans la version originale! Will Schuester, un prof optimiste du lycée McKinley, ravive sa passion pour la musique en réinventant le Glee Club», le club de chant et de danse du lycée, ou il tente d’aider un groupe de loosers à concrétiser leur potentiel de stars. Seul face aux innombrables critiques, Will est déterminé à leur prouver qu'ils ont tout faux et à bousculer le cruel système de castes qui règne sur le Lycée… Les multiples performances musicales incluent "Don't Stop Believin", "Rehab", "On My Own", "Respect", "Mr. Cellophane", "I Kissed a Girl", "Sit Down, You're Rocking the Boat" et "Can't Fight This Feeling". Épisode 2 Showmance Le Glee Club effectue sa première représentation devant les élèves du lycée et surprend tout le monde dans le public. Lorsque Rachel réalise ses sentiments pour Finn, Quinn ne recule devant rien pour garder son homme. Pendant ce temps, l'épouse de M. Schuester lui révèle une nouvelle surprenante, qui force Will à trouver une nouvelle façon de joindre les deux bouts... Les multiples performances musicales comprennent "Gold Digger", "Take a Bow", "Push It", "Le Freak" et "I Say a Little Prayer". Le Glee Club effectue sa première représentation devant les élèves du lycée et surprend tout le monde dans le public. Lorsque Rachel réalise ses sentiments pour Finn, Quinn ne recule devant rien pour garder son homme. Pendant ce temps, l'épouse de M. Schuester lui révèle une nouvelle surprenante, qui force Will à trouver une nouvelle façon de joindre les deux bouts... Les multiples performances musicales comprennent "Gold Digger", "Take a Bow", "Push It", "Le Freak" et "I Say a Little Prayer". Épisode 3 Acafellas Will forme Les Acafellas, un groupe 100% masculin de chant a capella, et passe de plus de temps à reconstruire sa propre confiance a l’écart du Glee Club. En son absence, les membres du Club décident d'embaucher un chorégraphe connu pour les préparer a la compétition des “Sectionals”. Pendant ce temps, Mercedes se découvre amoureuse, mais ses sentiments ne sont pas réciproques… Les multiples performances musicales comprennent "Bust Your Windows", "Mercy", "This is How We Do It", "Poison", "La Camisa Negra" et "I Wanna Sex You Up". Will forme Les Acafellas, un groupe 100% masculin de chant a capella, et passe de plus de temps à reconstruire sa propre confiance a l’écart du Glee Club. En son absence, les membres du Club décident d'embaucher un chorégraphe connu pour les préparer a la compétition des “Sectionals”. Pendant ce temps, Mercedes se découvre amoureuse, mais ses sentiments ne sont pas réciproques… Les multiples performances musicales comprennent "Bust Your Windows", "Mercy", "This is How We Do It", "Poison", "La Camisa Negra" et "I Wanna Sex You Up". Épisode 4 Preggers Kurt se retrouve au centre de la scène lorsqu’il décide de rejoindre avec l'équipe de football américain afin d’impressionner son père. Sandy et Sue unissent leurs forces pour mener à bien leurs plans et détruire le Glee Club. Pendant ce temps, Quinn et relation Finn est mise a l’épreuve par une de ces nouvelles qui changent la vie… . Les multiples performances musicales comprennent "Single Ladies", "Taking Chances" et "Tonight". Kurt se retrouve au centre de la scène lorsqu’il décide de rejoindre avec l'équipe de football américain afin d’impressionner son père. Sandy et Sue unissent leurs forces pour mener à bien leurs plans et détruire le Glee Club. Pendant ce temps, Quinn et relation Finn est mise a l’épreuve par une de ces nouvelles qui changent la vie… . Les multiples performances musicales comprennent "Single Ladies", "Taking Chances" et "Tonight". Épisode 5 The Rhodes Not Taken Afin de donner plus de personnalité au Glee Club, Will engage son ancien camarade de classe, April Rhodes guest star Kristin Chenoweth, pour pimenter les choses. Le plan de Will semble fonctionner, jusqu'à ce qu'il réalise qu'il risque perdre un membre important du club. Retrouvez les performances de "Somebody to Love", "Maybe This Time", "Alone" et "Last Name". Afin de donner plus de personnalité au Glee Club, Will engage son ancien camarade de classe, April Rhodes guest star Kristin Chenoweth, pour pimenter les choses. Le plan de Will semble fonctionner, jusqu'à ce qu'il réalise qu'il risque perdre un membre important du club. Retrouvez les performances de "Somebody to Love", "Maybe This Time", "Alone" et "Last Name". Épisode 6 Vitamin D Convaincu qu’une saine concurrence est bonne pour le groupe, Will organise une épreuve ou les garçons affrontent les filles. Pendant ce temps et bien qu’elle n’a aucune expérience médicale, Terri s’engage comme infirmière du Lycée afin de garder un œil sur Will. Vite dépassée, elle distribue les médicaments comme des bonbons, laissant les enfants quelques peu paranoïaques. Les multiples performances musicales incluent "It's My Life/Confessions Pt. 2" and "Halo/Walking on Sunshine". Convaincu qu’une saine concurrence est bonne pour le groupe, Will organise une épreuve ou les garçons affrontent les filles. Pendant ce temps et bien qu’elle n’a aucune expérience médicale, Terri s’engage comme infirmière du Lycée afin de garder un œil sur Will. Vite dépassée, elle distribue les médicaments comme des bonbons, laissant les enfants quelques peu paranoïaques. Les multiples performances musicales incluent "It's My Life/Confessions Pt. 2" and "Halo/Walking on Sunshine". Épisode 7 Throwdown Pour briser l’union entre les membres du Club Glee, Sue pousse les élèves a un maximum de concurrence individuelle, mais la véritable épreuve de force a lieu lorsqu’ elle est convoquée avec Will dans le bureau du principal. Pendant ce temps, les enfants Glee rassemblement de soutien à Quinn après quelques nouvelles choquant est révélé. Les multiples performances musicales comprennent "Hate on Me", "No Air", "You Keep Me Hangin' On" and "Keep Holding On". Pour briser l’union entre les membres du Club Glee, Sue pousse les élèves a un maximum de concurrence individuelle, mais la véritable épreuve de force a lieu lorsqu’ elle est convoquée avec Will dans le bureau du principal. Pendant ce temps, les enfants Glee rassemblement de soutien à Quinn après quelques nouvelles choquant est révélé. Les multiples performances musicales comprennent "Hate on Me", "No Air", "You Keep Me Hangin' On" and "Keep Holding On". Épisode 8 Mash-up Inspiré par les étudiants, Will compose un mash-up pour une occasion très spéciale. Pendant ce temps, dans un surprenant renversement des rôles, les jeune cools » de McKinley sont froidement détrônés, et Sue montre son côté tendre. Retrouvez les performances de "Bust a Move", "Thong Song", "Sweet Caroline" and "I Could Have Danced All Night". Inspiré par les étudiants, Will compose un mash-up pour une occasion très spéciale. Pendant ce temps, dans un surprenant renversement des rôles, les jeune cools » de McKinley sont froidement détrônés, et Sue montre son côté tendre. Retrouvez les performances de "Bust a Move", "Thong Song", "Sweet Caroline" and "I Could Have Danced All Night". Épisode 9 Wheels Alors que l’on se demande comment faire voyager Artie avec le groupe pour la compétition régionale, Will pousse les étudiants à sortir de leur zone de confort et voir la vie sous un autre angle. Pendant ce temps, le Glee Club organise son premier diva-off» entre Kurt et Rachel, et Sue révèle un côté plus doux. Les multiples performances musicales incluent "Defying Gravity", "Dancing With Myself" and "Proud Mary". Alors que l’on se demande comment faire voyager Artie avec le groupe pour la compétition régionale, Will pousse les étudiants à sortir de leur zone de confort et voir la vie sous un autre angle. Pendant ce temps, le Glee Club organise son premier diva-off» entre Kurt et Rachel, et Sue révèle un côté plus doux. Les multiples performances musicales incluent "Defying Gravity", "Dancing With Myself" and "Proud Mary". Épisode 10 Ballads M. Schuester a divisé le Glee Club en paires pour chanter leur chanson d’amour préférée, et se retrouve dans une posture bien délicate quand il est force de remplacer un élève malade. Pendant ce temps, Finn et Quinn doivent faire face a la tempête lorsqu’un dîner avec ses parents guest stars Gregg Henry et Charlotte Ross dérape. Les multiples performances musicales comprennent "Lean on Me", "Endless Love", "I'll Stand By You", "Young Girl", "Don't Stand So Close to Me", "Crush" and "You're Having My Baby". M. Schuester a divisé le Glee Club en paires pour chanter leur chanson d’amour préférée, et se retrouve dans une posture bien délicate quand il est force de remplacer un élève malade. Pendant ce temps, Finn et Quinn doivent faire face a la tempête lorsqu’un dîner avec ses parents guest stars Gregg Henry et Charlotte Ross dérape. Les multiples performances musicales comprennent "Lean on Me", "Endless Love", "I'll Stand By You", "Young Girl", "Don't Stand So Close to Me", "Crush" and "You're Having My Baby". Épisode 11 Hairography Inquiet des mauvais desseins de Sue, Will rend visite à l’instructeur d'une compagnie concurrente guest star Eve pour mesurer l’ampleur des fuites ; ce qui permet au club de jeter un coup d'œil à leurs rivaux. Pendant ce temps Kurt relooke Rachel, probablement pour impressionner Finn, même si il semble avoir quelque arrière-pensée. Retrouvez les performances musicales de ""Bootylicious", "Papa Don't Preach", "Mashup Crazy in Love/Hair", "Imagine", "True Colors" and "Don't Make Me Over". Inquiet des mauvais desseins de Sue, Will rend visite à l’instructeur d'une compagnie concurrente guest star Eve pour mesurer l’ampleur des fuites ; ce qui permet au club de jeter un coup d'œil à leurs rivaux. Pendant ce temps Kurt relooke Rachel, probablement pour impressionner Finn, même si il semble avoir quelque arrière-pensée. Retrouvez les performances musicales de ""Bootylicious", "Papa Don't Preach", "Mashup Crazy in Love/Hair", "Imagine", "True Colors" and "Don't Make Me Over". Épisode 12 Mattress Quand le Glee Club est exclu de l'annuaire de l’école en raison de coupes budgétaires, tout le monde semble soulagé de ne pas avoir à subir les traditionnelles moqueries… tout le monde sauf Rachel, qui compte bien voir son héritage immortalise en noir sur blanc. Pendant ce temps, Quinn se lance le défi d'être sur la photo des Cheerios, alors que la relation de Will et Terri est profondément ébranlée. Les multiples performances musicales comprennent "Jump" and "Smile". Quand le Glee Club est exclu de l'annuaire de l’école en raison de coupes budgétaires, tout le monde semble soulagé de ne pas avoir à subir les traditionnelles moqueries… tout le monde sauf Rachel, qui compte bien voir son héritage immortalise en noir sur blanc. Pendant ce temps, Quinn se lance le défi d'être sur la photo des Cheerios, alors que la relation de Will et Terri est profondément ébranlée. Les multiples performances musicales comprennent "Jump" and "Smile". Épisode 13 Sectionals L’épreuve des Sectionals est enfin arrivée pour le Glee Club, mais le secret de Quinn est découvert, et le club ne semble pas en mesure de récupérer à temps pour la compétition. Pendant ce temps, les intrigues de Sue atteignent des sommets, et avec l’approche du mariage d’Emma et Ken, Will doit prendre une décision qui pourrait changer sa vie pour toujours. Retrouvez les performances musicales de "And I Am Telling You...", "Proud Mary", "Don't Stop Believin", "Don't Rain on My Parade", "You Can't Always Get What You Want" and "My Life Would Suck Without You". L’épreuve des Sectionals est enfin arrivée pour le Glee Club, mais le secret de Quinn est découvert, et le club ne semble pas en mesure de récupérer à temps pour la compétition. Pendant ce temps, les intrigues de Sue atteignent des sommets, et avec l’approche du mariage d’Emma et Ken, Will doit prendre une décision qui pourrait changer sa vie pour toujours. Retrouvez les performances musicales de "And I Am Telling You...", "Proud Mary", "Don't Stop Believin", "Don't Rain on My Parade", "You Can't Always Get What You Want" and "My Life Would Suck Without You". Épisode 14 Hell-O Sue revient après sa suspension et demande à Santana et Brittany de séduire Finn afin de saboter sa relation avec Rachel. Jesse St. James, le leader des Vocal Adrenaline, chorale rivale des New Directions, tombe sous le charme de Rachel. Emma et Will essaie de sortir ensemble, mais Will embrasse également Shelby Corcoran, la coach des Vocal Adrenaline. Sue revient après sa suspension et demande à Santana et Brittany de séduire Finn afin de saboter sa relation avec Rachel. Jesse St. James, le leader des Vocal Adrenaline, chorale rivale des New Directions, tombe sous le charme de Rachel. Emma et Will essaie de sortir ensemble, mais Will embrasse également Shelby Corcoran, la coach des Vocal Adrenaline. Épisode 15 The Power of Madonna Les garçons de la chorale malmènent les filles. Will se tourne donc vers Madonna et son message pour l'égalité pour changer leur comportement. Tina et Artie essaient à nouveau d'entamer une relation alors que Kurt et Mercedes rejoignent les Cheerios, en signe de protestation face à l'intégration de Jesse dans la chorale. Ils relookent Sue, la conduisant à recréer le clip Vogue de Madonna. Emma, Rachel et Finn pèsent le pour et le contre dans le fait de perdre leur virginité. Les garçons de la chorale malmènent les filles. Will se tourne donc vers Madonna et son message pour l'égalité pour changer leur comportement. Tina et Artie essaient à nouveau d'entamer une relation alors que Kurt et Mercedes rejoignent les Cheerios, en signe de protestation face à l'intégration de Jesse dans la chorale. Ils relookent Sue, la conduisant à recréer le clip Vogue de Madonna. Emma, Rachel et Finn pèsent le pour et le contre dans le fait de perdre leur virginité. Épisode 16 Home Kurt organise un rendez-vous pour son père afin d'avoir à nouveau une famille complète. Sue demande aux Cheerios de faire un régime en vue d'une interview pour un magazine et April Rhodes revient pour aider Will à sauver la chorale. Kurt organise un rendez-vous pour son père afin d'avoir à nouveau une famille complète. Sue demande aux Cheerios de faire un régime en vue d'une interview pour un magazine et April Rhodes revient pour aider Will à sauver la chorale. Épisode 17 Bad Reputation Alors qu'une liste de popularité des membres de la chorale circule dans les couloirs de McKinley, Will enquête. Pendant ce temps, Sue est horrifiée de voir une vidéo de son remake du clip "Physical" d'Olivia Newton-John refaire surface. Alors qu'une liste de popularité des membres de la chorale circule dans les couloirs de McKinley, Will enquête. Pendant ce temps, Sue est horrifiée de voir une vidéo de son remake du clip "Physical" d'Olivia Newton-John refaire surface. Épisode 18 Laryngitis Rachel panique lorsqu'un mal de gorge l'empêche de chanter. Kurt essaie de changer de personnalité pour impressionner son père. Puck manoeuvre pour élever son rang social. Rachel panique lorsqu'un mal de gorge l'empêche de chanter. Kurt essaie de changer de personnalité pour impressionner son père. Puck manoeuvre pour élever son rang social. Épisode 19 Dream On Tina et Artie doivent faire face des problèmes dans leurs vies personnelles, ce qui complique leur relation. Pendant ce temps, Bryan Ryan, un ancien ennemi de Will, sème le trouble dans la chorale. Rachel, avec l'aide de Jesse, essaie de retrouver sa mère biologique. Tina et Artie doivent faire face des problèmes dans leurs vies personnelles, ce qui complique leur relation. Pendant ce temps, Bryan Ryan, un ancien ennemi de Will, sème le trouble dans la chorale. Rachel, avec l'aide de Jesse, essaie de retrouver sa mère biologique. Épisode 20 Theatricality La chorale rend hommage à Lady Gaga, en revêtant ses tenues les plus célèbres. Will enseigne aux chanteurs la théâtralité, aidant par la même occasion Tina qui traverse une crise identitaire. Rachel rencontre enfin sa mère biologique. Burt invite Finn et sa mère à emménager chez lui mais Finn est réticent à l'idée d'habiter avec Kurt. La chorale rend hommage à Lady Gaga, en revêtant ses tenues les plus célèbres. Will enseigne aux chanteurs la théâtralité, aidant par la même occasion Tina qui traverse une crise identitaire. Rachel rencontre enfin sa mère biologique. Burt invite Finn et sa mère à emménager chez lui mais Finn est réticent à l'idée d'habiter avec Kurt. Épisode 21 Funk Les membres de la chorale apprennent une nouvelle qui ne manque pas de les déstabiliser. Pendant ce temps, Quinn essaie de révéler son côté "funky" avec l'aide de Mercedes et Will tient sa revanche face à Sue. Les membres de la chorale apprennent une nouvelle qui ne manque pas de les déstabiliser. Pendant ce temps, Quinn essaie de révéler son côté "funky" avec l'aide de Mercedes et Will tient sa revanche face à Sue. Épisode 22 Journey Quinn accouche. Les New Directions affrontent les Vocal Adrenaline aux régionales, devant le jury constitué d'Olivia Newton-John, de Josh Groban et de Sue Sylvester. Quinn accouche. Les New Directions affrontent les Vocal Adrenaline aux régionales, devant le jury constitué d'Olivia Newton-John, de Josh Groban et de Sue Sylvester. © 2009 Twentieth Century Fox Film Corporation. All rights reserved. Autres saisons Achats associés Classement Comédie
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